Leonora Loeb, “Whipped Turning 1”
2022, glazed porcelain, 6x4x3.
SHIPPING IS NOT INCLUDED IN PRICE. PLEASE CONTACT INFO@COLLARWORKS.ORG FOR AN ESTIMATE.
BIO
Leonora Loeb is a visual artist from NYC. She received her BA in Fine Art from Pitzer College, CA; and received her MFA in NYC from the School of Visual Arts in 2010. Working primarily with sculpture and video, Leonora has received support from institutions such as Mabou Mines and Chashama. Her work has been shown in Perry Rubenstein Gallery, Momenta Art, Front Room Gallery, Ortega y Gasset Projects, Deanna Evans, and other spaces. Leonora has worked on collaborative multimedia projects for venues such as The Clock Tower Gallery, (LIC, Queens), Northside Town Hall (Williamsburg, Brooklyn), and the Gateway Project, (Newark, NJ). Her work has been shown by curators and artists such as Augusto Arbizo, Dan Cameron, Jessica Cannon, Ruth Maleczech, and Kate Mothes. She has a studio in Gowanus, Brookly and is a curatorial member of Underdonk in Bushwick, Brooklyn.
STATEMENT
The “Whipped Turning” series is an attempt to make 3dimensional sketches inspired by the body’s physical motions. The materials, marks, and forms make reference to the hooking and unhooking of jewelry, belts, and clothes or the twisting, turning of a body, but the forms are abstract. They are individuals, but take on new meaning when grouped- assembled, reassembled, and and precariously balanced.
2022, glazed porcelain, 6x4x3.
SHIPPING IS NOT INCLUDED IN PRICE. PLEASE CONTACT INFO@COLLARWORKS.ORG FOR AN ESTIMATE.
BIO
Leonora Loeb is a visual artist from NYC. She received her BA in Fine Art from Pitzer College, CA; and received her MFA in NYC from the School of Visual Arts in 2010. Working primarily with sculpture and video, Leonora has received support from institutions such as Mabou Mines and Chashama. Her work has been shown in Perry Rubenstein Gallery, Momenta Art, Front Room Gallery, Ortega y Gasset Projects, Deanna Evans, and other spaces. Leonora has worked on collaborative multimedia projects for venues such as The Clock Tower Gallery, (LIC, Queens), Northside Town Hall (Williamsburg, Brooklyn), and the Gateway Project, (Newark, NJ). Her work has been shown by curators and artists such as Augusto Arbizo, Dan Cameron, Jessica Cannon, Ruth Maleczech, and Kate Mothes. She has a studio in Gowanus, Brookly and is a curatorial member of Underdonk in Bushwick, Brooklyn.
STATEMENT
The “Whipped Turning” series is an attempt to make 3dimensional sketches inspired by the body’s physical motions. The materials, marks, and forms make reference to the hooking and unhooking of jewelry, belts, and clothes or the twisting, turning of a body, but the forms are abstract. They are individuals, but take on new meaning when grouped- assembled, reassembled, and and precariously balanced.
2022, glazed porcelain, 6x4x3.
SHIPPING IS NOT INCLUDED IN PRICE. PLEASE CONTACT INFO@COLLARWORKS.ORG FOR AN ESTIMATE.
BIO
Leonora Loeb is a visual artist from NYC. She received her BA in Fine Art from Pitzer College, CA; and received her MFA in NYC from the School of Visual Arts in 2010. Working primarily with sculpture and video, Leonora has received support from institutions such as Mabou Mines and Chashama. Her work has been shown in Perry Rubenstein Gallery, Momenta Art, Front Room Gallery, Ortega y Gasset Projects, Deanna Evans, and other spaces. Leonora has worked on collaborative multimedia projects for venues such as The Clock Tower Gallery, (LIC, Queens), Northside Town Hall (Williamsburg, Brooklyn), and the Gateway Project, (Newark, NJ). Her work has been shown by curators and artists such as Augusto Arbizo, Dan Cameron, Jessica Cannon, Ruth Maleczech, and Kate Mothes. She has a studio in Gowanus, Brookly and is a curatorial member of Underdonk in Bushwick, Brooklyn.
STATEMENT
The “Whipped Turning” series is an attempt to make 3dimensional sketches inspired by the body’s physical motions. The materials, marks, and forms make reference to the hooking and unhooking of jewelry, belts, and clothes or the twisting, turning of a body, but the forms are abstract. They are individuals, but take on new meaning when grouped- assembled, reassembled, and and precariously balanced.