Annalise Neil, "Day Dream"
Watercolor and cyanotype on paper, 5"H x 7"W, 2020.
SHIPPING IS NOT INCLUDED. PLEASE CONTACT INFO@COLLARWORKS.ORG FOR A SHIPPING ESTIMATE.
BIO
Annalise Neil lives and works in La Mesa, CA. In 2006, she received a BFA in Printmaking from the College of Saint Rose in Albany, NY, with a minor in Art History (summa cum laude). She participated in an Artist Residency in Motherhood from 2016-17, and has completed several independent art study courses with the NYC Crit Club. She is a member of the Art Alliance at the Oceanside Museum of Art and the San Diego Watercolor Society. Annalise has exhibited her paintings, fine prints, and cyanotypes in numerous juried shows throughout the United States over the last 20 years, obtaining several awards by notable jurors. She has been published in ArtMaze Mag, The On Being Project, Emergence Magazine, All She Makes, and New Visionary Magazine. Her work resides in public and private collections across the U.S. and in Europe.
STATEMENT
With nature imagery as a visual framework, my cyanotype work considers ideas such as perception, deep listening, memory, and ecology. Metaphors that come from researching these scientific and philosophical tenets are woven into my pieces. The concepts and the images they lead to can be used to help interpret living as one species amongst wildly complex, interconnected social and natural environments. The passage and comprehension of time are of particular interest to me, and are present in most of my art. I am keenly interested in discussing states of change and possibility: past-is-prologue enmeshed with ongoing scientific illuminations. I endeavor to create work that will lead to contemplation and reflection for the viewer, with the hope that empathy and mental elevation are experienced.
Watercolor and cyanotype on paper, 5"H x 7"W, 2020.
SHIPPING IS NOT INCLUDED. PLEASE CONTACT INFO@COLLARWORKS.ORG FOR A SHIPPING ESTIMATE.
BIO
Annalise Neil lives and works in La Mesa, CA. In 2006, she received a BFA in Printmaking from the College of Saint Rose in Albany, NY, with a minor in Art History (summa cum laude). She participated in an Artist Residency in Motherhood from 2016-17, and has completed several independent art study courses with the NYC Crit Club. She is a member of the Art Alliance at the Oceanside Museum of Art and the San Diego Watercolor Society. Annalise has exhibited her paintings, fine prints, and cyanotypes in numerous juried shows throughout the United States over the last 20 years, obtaining several awards by notable jurors. She has been published in ArtMaze Mag, The On Being Project, Emergence Magazine, All She Makes, and New Visionary Magazine. Her work resides in public and private collections across the U.S. and in Europe.
STATEMENT
With nature imagery as a visual framework, my cyanotype work considers ideas such as perception, deep listening, memory, and ecology. Metaphors that come from researching these scientific and philosophical tenets are woven into my pieces. The concepts and the images they lead to can be used to help interpret living as one species amongst wildly complex, interconnected social and natural environments. The passage and comprehension of time are of particular interest to me, and are present in most of my art. I am keenly interested in discussing states of change and possibility: past-is-prologue enmeshed with ongoing scientific illuminations. I endeavor to create work that will lead to contemplation and reflection for the viewer, with the hope that empathy and mental elevation are experienced.
Watercolor and cyanotype on paper, 5"H x 7"W, 2020.
SHIPPING IS NOT INCLUDED. PLEASE CONTACT INFO@COLLARWORKS.ORG FOR A SHIPPING ESTIMATE.
BIO
Annalise Neil lives and works in La Mesa, CA. In 2006, she received a BFA in Printmaking from the College of Saint Rose in Albany, NY, with a minor in Art History (summa cum laude). She participated in an Artist Residency in Motherhood from 2016-17, and has completed several independent art study courses with the NYC Crit Club. She is a member of the Art Alliance at the Oceanside Museum of Art and the San Diego Watercolor Society. Annalise has exhibited her paintings, fine prints, and cyanotypes in numerous juried shows throughout the United States over the last 20 years, obtaining several awards by notable jurors. She has been published in ArtMaze Mag, The On Being Project, Emergence Magazine, All She Makes, and New Visionary Magazine. Her work resides in public and private collections across the U.S. and in Europe.
STATEMENT
With nature imagery as a visual framework, my cyanotype work considers ideas such as perception, deep listening, memory, and ecology. Metaphors that come from researching these scientific and philosophical tenets are woven into my pieces. The concepts and the images they lead to can be used to help interpret living as one species amongst wildly complex, interconnected social and natural environments. The passage and comprehension of time are of particular interest to me, and are present in most of my art. I am keenly interested in discussing states of change and possibility: past-is-prologue enmeshed with ongoing scientific illuminations. I endeavor to create work that will lead to contemplation and reflection for the viewer, with the hope that empathy and mental elevation are experienced.