Theresa Daddezio - Slide (Oil on canvas, 32" x 22", 2018)
I explore architecture that contains the human body through an embodied concept of time and place. Shapes take near identifiable forms in a fleeting taxonomy of spatial and textural obfuscation that transforms marks into near resemblances of nerves, vessels, and strata of earth. Notions of consciousness, fragility, and sexuality within a painting language indebted to the history of abstraction. These paintings become manifestations of sensual experience, where the tangibility of the present interlocks with memory.
I explore architecture that contains the human body through an embodied concept of time and place. Shapes take near identifiable forms in a fleeting taxonomy of spatial and textural obfuscation that transforms marks into near resemblances of nerves, vessels, and strata of earth. Notions of consciousness, fragility, and sexuality within a painting language indebted to the history of abstraction. These paintings become manifestations of sensual experience, where the tangibility of the present interlocks with memory.
I explore architecture that contains the human body through an embodied concept of time and place. Shapes take near identifiable forms in a fleeting taxonomy of spatial and textural obfuscation that transforms marks into near resemblances of nerves, vessels, and strata of earth. Notions of consciousness, fragility, and sexuality within a painting language indebted to the history of abstraction. These paintings become manifestations of sensual experience, where the tangibility of the present interlocks with memory.